When a sarcophagus, sent by Jeff's Egyptologist father, arrives at the family home, his sister Kim decides to take a look inside. This proves foolish, however, as opening the coffin brings the mummy inside back to life.

The man spent most of his life in prison. His body is covered with tattoos that describe his criminal past and symbolize his high authority. However, the moment comes when he is released, will it be easy for a person to leave his comfort zone?

Julien Paluch is principled in everything: in his work and in his life. The formula "genius and debauchery" is not for him. His fanatical passion for new theatrical ideas attracts a wide variety of people to him. But one day in the director's life there comes a moment when Palyush begins to doubt that he is talented, and that his actions and relationships with people were selfless, sincere, and humane.

Mid-90s. At first glance, Boris Likhachev, a veteran of the Afghan war, is the most ordinary Russian, peacefully leading a quiet family life on the outskirts of a regional town in which there is no crime at all. Of course, because a few years ago he and his combat commander Alexei Bystrov cleared this city of all criminal elements. After that, their paths parted — Boris Likhachev started a family and lived a quiet life, and his commander became the mayor of the city.

Matt Amsterdam wishes his family were different - until he wakes up from a nap in the attic to find that things are suddenly very different.

After coming out of jail a sneak thief "Chibis" plans a big afaire.

While visiting his uncle and cousin in Egypt, Gabe inadvertently brings a mummified prince back from the dead.

This time, Kapa and Pepe are first of all prisoners of war – and convicts taken to forced labor service, Jews, Hungarian soldiers, German soldiers. Once they are to be executed, then again they are to perform executions. The film tells in spectacular episodes about the fact that in the past more than one century and a half we kept marching from war to war; occupation and liberation turned out to be indifferent, and why couldn’t the Jews execute the SS-guys? Our heroes hover about dilapidated barracks, then again on the bridges of the capital they guess whose satellites or eternal friends for all times we might be just now. In the cupboard, among the preserved fruit bottles, Stalin is still hiding. The authors of the film are cited before court, then in a showcase hospital they are waiting for the end to come. A Soviet soldier-maid closes the film with a Péter Nádas-quote.

Don't is a 1926 silent Comedy

A game show that offers contestants the chance to win cash by tackling hilarious tasks, each with the simple rule: "DON'T."